Theory Hacks with Ableton

I’m happy to announce the release of my first project for the good folks at Ableton, a Classroom Project called Theory Hacks. It’s a set of free resources for educators who want to teach music theory and songwriting/composition to beginners using Live. In this post, I explain the pedagogical motivations for the project.

Living for the City

This Stevie Wonder classic is an iconic blues-based groove combined with some very non-blues-based harmony. Stevie sang all the parts and played all the instruments, including the sumptuous analog synth sounds designed with Malcolm Cecil and Robert Margouleff. Stevie’s brother Calvin Hardaway is the main character in the spoken interlude. Ira Tucker Jr of the …

The chromatic circle and the circle of fifths

The heart of Western tonal theory is this diagram: It’s called the chromatic circle, and it shows all of the notes you can play with a piano keyboard or guitar fretboard. It is closely related to another extremely important diagram called the circle of fifths: In this post, I explain where these diagrams come from …

Remixing David Bowie’s “Starman”

In Electronic Music School: a Contemporary Approach to Teaching Musical Creativity, we include a series of project plans that are designed to scaffold student creativity. If you sit someone down in front of an empty DAW session and tell them to be creative, they are likely to be paralyzed by uncertainty or anxiety. It works …

The harmonic family tree

My blog stats have made it crystal clear that very few of you want to read about tuning systems. However, a vocal minority of you do love reading about them, and I definitely enjoy writing about them. So, let’s dig in and see how much Western harmony we can derive from the natural overtone series!

Seventh chords in just intonation vs 12-TET

I enjoy listening to Jacob Collier explain his music more than I enjoy the music itself. His arrangement of “Moon River” is mostly exhausting. However, Miles Comiskey pointed me to an interesting moment in this explainer video at the 1:04:22 mark where Jacob talks about how Kontakt enables you to change your instrument tuning on …

Let’s analyze Alexander Scriabin incorrectly

I get academic articles in my email from various lists that I’m on, and this was an interesting one: “The Pedagogy of Early, Twentieth-Century Music: Ideas for a Classroom Discussion based on a Multi-Faceted Analysis of Scriabin’s Op. 31, No. 4.” by Michael Chikinda. Here’s the piece he’s talking about: I don’t know Scriabin’s music very …

Dual tonicity in a classic klezmer tune

I’m rewatching Curb Your Enthusiasm and very much enjoying the work of music supervisor Steven Rasch. In season five, episode eight, Larry pretends to be an Orthodox Jew to win over the head of the Kidney Consortium. To soundtrack the scene where Larry first meets the guy, Rasch chose a classic klezmer tune, “Tanz Tanz …

How guitarists learn music theory

This is me, rehearsing an Allman Brothers song with my stepbrother Kenny for my stepdad’s funeral last summer. If you are a music theory teacher interested in reaching guitarists, here’s some background on my own music learning that might be illuminating. My journey is a pretty typical one for a rock guitarist, except for the …

Modes from light to dark around the chromatic circle

People find the diatonic modes confusing. They are confusing! But they’re also wonderfully useful. So one of the goals of my music theory songs is to make the modes less confusing (or, at least, to make them confusing in a different way.) Some of the confusion comes from the fact that you conventionally see the …