My man Adam has a word: Music is the universal language the same way English is, in that it isn't — Adam Neely (@its_adamneely) May 3, 2021 I can prove this with an example from my own life. When I was younger I got interested in my Jewish heritage and spent a couple of years …
Continue reading “Music is not a universal language and this klezmer song proves it”
Here it is, the most stupendous entry in The Art of Fugue. Its three themes are inversions of the ones in Contrapunctus VIII, meaning that they have the same rhythms and intervals but are upside down. Bach also added lots of subthemes and counterthemes. I used Ableton Live to visualize Angela Hewitt’s recording, drawing extensively …
In this post, I’m digging deeper into Bach’s The Art of Fugue with Contrapunctus VIII. It’s way more complex and intense than Contrapunctus I. I used Ableton Live to line up a MIDI file of the piece with Angela Hewitt’s recording, and then color-coded and annotated it to show the structure, the harmony, the subjects …
Sonny Rollins is a justifiably famous for his improvising, but he has also written several jazz standards that are as catchy as anything on top 40 radio: “St Thomas,” “Pent Up House,” “Doxy,” and the stickiest earworm for me personally, “Sonnymoon for Two.” Here’s an early studio recording: Here’s the really famous version, from the …
Like harmony, melody works differently in grooves than it does in linear songs or Western classical compositions. In this post, I try to figure out what makes a good groove melody, and how to write one. Update: Joshua Horowitz made an interactive animation of this image! It’s so cool.
David Bruce made a delightful video about the role of repetition in Stravinsky’s The Rite of Spring. While this piece is hair-raisingly dissonant, it’s also remarkably popular (by classical music standards, anyway.) David explains this fact by showing how repetition makes the previously inexplicable seem more meaningful and less threatening. A crunchy chord might be …
My kids have been watching The Sound of Music a lot lately. I have known many of the songs since elementary school, but I somehow never got around to watching the movie until now. Apparently it was Rodgers and Hammerstein’s last musical, and boy did they leave it all on the stage. I was sitting …
I fell down a WhoSampled rabbit hole and landed on “You Are What I’m All About” by The New Birth, produced by the great Harvey Fuqua. The album cover might suggest some kind of goth techno, but the actual music is gospel-inflected R&B. This track has been sampled many times, mostly the clave part from …
Everyone’s favorite music theorist is back in the news. If you are curious about the controversy surrounding him and don’t have a music theory background, I wrote a Twitter thread for you: Okay! Clearly, you people want to read about Schenker! Here, I will add some context to this NY Times article so you can …
Continue reading “Who is Heinrich Schenker and why should you care?”
After doing “Straight, No Chaser,” I’m now diving into another one of Monk’s greatest hits, “Rhythm-a-Ning,” at the request of Christian Gentry. Monk’s take on the ubiquitous “I Got Rhythm” chord progression has a lot in common with “Straight, No Chaser.” They both use the most generic materials possible to produce something that still sounds …
