Musical simples – Teenage Dream

I’m working with Soundfly on the next installment of Theory For Producers, our ultra-futuristic online music theory course. The first unit covered the black keys of the piano and the pentatonic scales. The next one will talk about the white keys  and the diatonic modes. We were gathering examples, and we needed to find a well-known pop song that …

Musical simples – Possibly Maybe

I’ve said it before and will say it again: Björk is the best thing to happen to contemporary music theory education. No matter what weird scale you’re trying to teach, she’s used it in a catchy, memorable tune. “Possibly Maybe” uses two weird scales: Lydian mode, in the A section (the verses), and melodic minor scale, in …

Musical simples – Star Wars

John Williams’ Star Wars score owes a lot to the heroic symphonies of his favorite nineteenth century German composers, from Beethoven through Wagner. The main title theme is as Germanic as it gets, a straightforward military march on the B-flat major scale. Like all great pop hooks, this one is simple, but it isn’t dumb. …

Musical simples: Stir It Up

The I-IV-V chord progression is one of the cornerstones of Western music, uniting everything from Mozart to Missy Elliott. Bob Marley’s “Stir It Up” is as clear and concise an introduction to I-IV-V as you could ask for. The song uses three chords: A, D, and E. They’re shown in the diagram below as turquoise, …

Musical simples: Army Of Me

Björk did the music theory world a huge favor by writing a pop hit entirely in Locrian mode, since it’s really hard to find a good real-world example of it otherwise. You don’t see too many melodies written entirely, or even partially, in Locrian mode. It’s not a friendly scale. That mostly has to do with its …

Musical Simples: Once In A Lifetime

“Once In A Lifetime” is a simple but remarkable tune based on a simple but remarkable scale: the major pentatonic. https://www.youtube.com/watch?v=98AJUj-qxHI Like its cousin the minor pentatonic scale, major pentatonic is found in just about every world musical culture. It’s also incredibly ancient. In Werner Herzog’s documentary Cave Of Forgotten Dreams, a paleontologist plays an …

Musical Simples: Superstition

If you had to explain funk to a visitor from outer space, Stevie Wonder’s “Superstition” would be a great place to start. Aside from the refrains at the end of each verse, the entire tune consists of variations on a single two-bar clavinet riff on the E-flat minor pentatonic scale. The scale might have a …

Rhythmic simples

In the service of teaching theory using real music, I’ve been gathering musical simples: little phrases and loops that are small enough to be easily learned, and substantial enough to have expressive value. See some representative melodic simples, more melodic simples, and compound simples. This post showcases some representative rhythmic simples, more commonly known as …

Compound musical simples

As I’ve been gathering musical simples, I’ve been trying to figure out the best way to categorize them. There are melodic simples, otherwise known as riffs, hooks, and licks. There are rhythmic simples, otherwise known as beats, claves, and rhythm necklaces. And then there are the simples that combine a beat with a melody. Alex …

Musical simples part two

Here’s an explanation for why I’m gathering these things. Wagner, “Ride of the Valkyries” I’m no great fan of Wagner, but there’s no denying that this is a killer hook. You don’t have much occasion to play in 9/8 time these days, but this melody can be adapted to fit 4/4 pretty easily. Also, because …