I have now written three MusicRadar columns in a row on current pop smashes by women. This wasn’t planned; it’s just the way the songs of the summer have played out. I didn’t know much about Charli XCX before I wrote this, beyond the fact that she sang some hooks on some radio hits. I’m …
Continue reading “MusicRadar column on three songs from Brat by Charli XCX”
This one was assigned by my editor, and I went into the song more or less cold. I ended up liking the song, though maybe that’s because so many of my students adore Chappell Roan and I was inclined to give her the benefit of the doubt. Or maybe she’s just good! Anyway, as the …
Continue reading “New MusicRadar column about Chappell Roan’s “Good Luck, Babe!””
I had fun with this one. I love Tom Breihan’s Stereogum column The Number Ones, in which he is reviewing every number one Billboard hit in chronological order. His best columns are often about the most insubstantial or annoying songs, because then he can apply a cool objectivity to the processes of the pop machine. …
Continue reading “New MusicRadar column on Sabrina Carpenter’s “Espresso””
For my latest column, MusicRadar assigned me to write about “Back to Black” by Amy Winehouse, since the movie of the same name is about to come out. I didn’t have a relationship with the song or with Winehouse generally before starting on the research, but my students are very attached to her. The column …
My newest side hustle is a writing gig for MusicRadar, in which I will be analyzing well-known songs in terms of music theory, production and larger cultural context. The first one went live today, a study of “What Was I Made For?” by Billie Eilish from the Barbie movie. The next one is going to …
