Today in pop aural skills, we identified suspensions, that is, melodies that place unexpected non-chord tones on strong beats, before resolving to the expected chord tones. These are melodic suspensions, which are not the same thing as sus4 or sus2 chords, but they are related concepts. Western European classical theory has a lot of clear …
Tag Archives: Peter Gabriel
The bottom number in time signatures has always confused me
The top number in a time signature is easy to understand. Is the song in four? Count “one, two, three, four.” Is it in three? Count “one, two, three.” Is it in five? Count “one, two, three, four, five.” That’s all there is to it. However, the bottom number is another story. What is going …
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Human Behaviour
Here’s a Björk song that is both maddeningly catchy and relentlessly weird. That’s true of so many of them! This was the first single on Björk’s first solo album (as an adult.) It was a bold choice! It’s not the weirdest song on the album, but it is far from the most conventional. The video …
My year in (other people’s) music
I chose my top songs of 2018 based on a combination of their emotional impact and the number of times I listened to them (measured subjectively, I don’t actually keep track.) Some of these I included because I loved them, and some my kids made me listen to a million times. I didn’t include any …
Prepping my rap and rock class at Montclair State
This summer, I’m teaching Cultural Significance of Rap and Rock at Montclair State University. It’s my first time teaching it, and it’s also the first time anyone has taught it completely online. The course is cross-listed under music and African-American studies. Here’s a draft of my syllabus, omitting details of the grading and such. I welcome your questions, comments …
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Killen and Marotta
Participants in Play With Your Music were recently treated to an in-depth interview with two Peter Gabriel collaborators, engineer Kevin Killen and drummer Jerry Marotta. Both are highly accomplished music pros with a staggering breadth of experience between them. You can watch the interview here: Kevin Killen engineered So and several subsequent Peter Gabriel albums. …
Reflections on teaching Ableton Live, part two
In my first post in this series, I briefly touched on the problem of option paralysis facing all electronic musicians, especially the ones who are just getting started. In this post, I’ll talk more about pedagogical strategies for keeping beginners from being overwhelmed by the infinite possibilities of sampling and synthesis. This is part of …
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What’s up with Ethan
Here’s a quick update on what is going on in my life. First, most importantly: Milo is walking but not yet talking; he’s waving, but not yet high-fiving; he’s eating with a spoon, but only getting the food into his mouth two thirds of the time. He’s totally delightful. Since I graduated from the NYU …
Announcing the Peter Gabriel edition of Play With Your Music
You may have noticed a lot of writing about Peter Gabriel on the blog lately. This is because I’ve been hard at work with Alex Ruthmann, the NYU MusEDLab, and the crack team at Peer To Peer University on a brand new online class that uses some of Peter’s eighties classics to teach audio production. …
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Recording Peter Gabriel’s Security
This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …