High school masculinity

Note-taking for Learning of Culture with Lisa Stulberg This week’s reading was C. J. Pascoe’s riveting study, Dude, You’re a Fag: Masculinity and Sexuality in High School. If you’re at all interested in gender, or the culture of schools, it’s a must-read.

Coping strategies

https://www.youtube.com/watch?v=XvuM3DjvYf0 Some thoughts gathered from Twitter this morning: Inspired by Harry Belafonte, we’re reading this Langston Hughes poem in class right now. And listening to the Hamilton Mixtape. The mood in the Park Slope Food Coop this morning was like a New Orleans funeral–multiethnic people talking about genocide to a soundtrack of funky jazz.

Between The World And Me

I’m taking a sociology class called Learning Of Culture with Lisa Stulberg. It could just as easily be called Culture Of Learning, since it views school as just one cultural setting among many. Our first assignment was to read Between The World And Me by Ta-Nehisi Coates. I agree with Toni Morrison’s cover blurb. After …

RIP David Bowie

Hearing the news of Bowie’s death made me go listen to Blackstar, which is excellent, his best work in I don’t know how long. His voice aged exquisitely well. So did his restless sonic adventurism: the man never settled in a style for very long. This particular one suits him.

What’s missing from music theory class?

In a recent comment, a reader posed a good question: I’m classically trained (I do recognize a blues progression when i hear it though) so i would like to hear more of your insights into the forms, styles and methods of pop music — your observation that “most of the creativity in pop lies in …

Blues tonality

See a more beginner-friendly blues primer here. Read this treatise in Spanish, translated by Jesús Fernández. Abstract The blues is a foundational element of America’s vernacular and art music. It is commonly described as a combination of African rhythms and European harmonies. This description is inaccurate. Blues follows harmonic conventions that are quite different from …

Why do suburban white kids like gangsta rap?

A followup post to White People And Hip-Hop First, a little on my background. I’m not from the suburbs, I’m from New York City. My experience growing up was an odd blend of the city and the suburbs. I lived in a posh little corner of an otherwise pretty tough neighborhood. I attended a very …

Rockism

As a kid, I liked everything: rock, hip-hop, classical, jazz, pop, dance, country, whatever. In my teenage years, however, I succumbed to the pressures of a racist society and turned into a devout rockist. I dutifully renounced pop, disco, techno, even hip-hop, anything that was “inauthentic.” I swallowed the rockist dogma that grants legitimacy to …

Friends don’t let friends clap on one and three

Here’s my final project for NYU’s Psychology of Music class, enjoy. Feel free to download this presentation or the full paper. Friends Don’t Let Friends Clap on One and Three: a Backbeat Clapping Study

The backbeat: a literature review

Part of a study for Psychology of Music at NYU The backbeat is a ubiquitous, almost defining feature of American popular and vernacular music. Clapping or snapping on the backbeats is generally considered by musicians to be more correct than doing so on the strong beats. However, audiences have a tendency to clap or snap on …