Long before I knew who Duke Ellington was, I adored a Grateful Dead song vaguely named after one of his early hits. I was most attached to the Brent-era version on Without A Net: This is not the Dead at their absolute best. Jerry sounds like he’s about 95 years old, and some of those …
Tag Archives: ragtime
Identifying blues melodies
This is an exciting week of class for me, because we are analyzing blues melodies, and that is a music-theoretic subject that is close to my heart. Given its impact on the past hundred years of Anglo-American popular culture, the blues has been the subject of a shockingly small amount of musicological analysis. The best …
The Song Factory course
I have been teaching songwriting for a lot of years as a means to other ends: with my private guitar and production students, with my music tech students, with my music education students, with my music theory students. But this semester at The New School, I get to teach my first actual songwriting class whose …
Elizabeth Cotten’s fingerstyle ragtime
Dust-to-digital posted this lovely performance of “Washington Blues” by Elizabeth Cotten. It reminded me that she is the greatest and that I should write more about her. If you are a guitarist, you might notice that there is something strange about her technique. She was left-handed, but rather than stringing a guitar in reverse the …
Für Elise
Like most piano students at his level, my kid is now learning Beethoven’s Bagatelle No. 25 in A minor for solo piano, better known to the world as “Für Elise.” Or more accurately, he’s learning part of it. There turn out to be more sections than the iconic minor-key hook we’re all familiar with. These …
Internet blues
Recently, WNYC’s great music show Soundcheck held a contest to see who could do the best version of the 100 year old song “Yellow Dog Blues” by WC Handy. Marc Weidenbaum had the members of the Disquiet Junto enter the contest en masse. I did my track, put it on SoundCloud, and promptly forgot all …
Secondary dominants
When I was a kid, I’d listen to music and wonder, why is this chord progression so much more satisfying than that one? Now I know the answer: secondary dominants, chords that temporarily change the key in a logical-sounding way. If you want to take your songwriting in a more sophisticated direction, you definitely want …