We are wrapping up the harmony unit of pop aural skills class with harmonized basslines. These sound more “classical” than the other material we’re covering, and for good reason. Long before Western Europeans thought in terms of chords, they saw harmony as something that emerged from the interaction of multiple simultaneous melodies. Baroque composers frequently …
Tag Archives: Ray Charles
Identifying plagal cadences
This week in aural skills, we’re working on various harmonic tropes based on IV-I root movements. This chord progression is technically called the plagal cadence, but is more memorably nicknamed the “Amen” cadence because it’s a traditional European hymn ending. (It has nothing to do with the Amen break, though they do sound good together.) …
Identifying I, IV and V chords
The I, IV and V chords are beginner-level music theory concepts. However, in my pop-oriented aural skills class, we are covering them in the context of the blues, where they are more complicated than they are in the standard tonal theory context. Let’s begin with a review of the basic I, IV and V from …
Lil Nas X and the racial politics of country music
As of this writing, the biggest song in America is “Old Town Road” by Lil Nas X. It might also be the most interesting pop song of the 21st century so far. “Old Town Road” defies genre categorization. Like Herbie Hancock’s “Rockit,” it sits entangled in a vast musical rhizome. Lil Nas X calls it …
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The Great Cut-Time Shift
There has been a dramatic shift in American popular music’s grooves over the past sixty or so years. To understand it, you need to know what swing is. Here is a piece of music played without swing: Here is that same piece of music played with swing: