This is an exciting week of class for me, because we are analyzing blues melodies, and that is a music-theoretic subject that is close to my heart. Given its impact on the past hundred years of Anglo-American popular culture, the blues has been the subject of a shockingly small amount of musicological analysis. The best …
Tag Archives: soul
Identifying embellishing tones
We’re getting started on melody in pop aural skills by talking about embellishing tones. The word “embellish” is from the Old French embelliss-, meaning to make something beautiful by ornamenting it. To understand what embellishing tones are, you first need to know about the tones they are embellishing. In Western tonal music and (non-blues-based) Anglo-American …
You’re Gettin’ A Little Too Smart
After reading Dilla Time, I did a deep dive into Dilla’s preferred sample sources, including the Detroit Emeralds. Here’s one of their nastiest grooves: I combined that opening groove with Charles Mingus and Vassily Kalinnikov to create one of my favorite of my own tracks: Mingus Kalinnikov by Ethan Hein According to WhoSampled.com, “You’re Getting …
Gladys Knight heard it through the grapevine
I am very attached to Marvin Gaye’s version of “I Heard It Through The Grapevine” and somehow managed to not even hear Gladys Knight’s recording until late in life. I recognized immediately that Gladys’ version is a banger, but it took me a while to relax my preconceptions and warm up to it.
Rock Steady
I need a lot of reassurance that things are going to be okay. This Aretha Franklin groove reliably does the job for me. I say “groove” and not “song”, because while “Rock Steady” does have a minimal song structure, it’s all in support of helping you dance. The musicians on this track represent the gold …
I Heard It Through The Grapevine
My first exposure to Marvin Gaye’s recording of “I Heard It Through the Grapevine” was on the Big Chill soundtrack, which my baby boomer parents kept in heavy rotation. Here’s a live version. Nobody wore a glittery tux like Marvin Gaye.
What’s Going On
For a discussion of musical form in Contemporary Music Theories, we talked about Marvin Gaye’s classic “What’s Going On.” The multitrack stems are in circulation, and they are quite a revelation. Here’s a nice walkthrough with Questlove and Motown executive Harry Weinger.
Take Me To The River
See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …
Spoonful
One of the most intense and arresting recordings I have ever heard is Howlin’ Wolf’s recording of “Spoonful” by Willie Dixon. This is on my list of classic songs with no chord changes, along with “Chain of Fools” by Aretha Franklin, “India” by John Coltrane, “I’m Bad Like Jesse James” by John Lee Hooker, “Papa Was …
I Want You Back
Why is “I Want You Back” by the Jackson 5 such an uncontainable explosion of joy? It has the happiest chord progression ever, which I wrote about in a previous post. But the harmony is just the icing on the cake. The real heart of this tune is the groove. Let’s have a look! I …