New on MusicRadar, I take a mostly sympathetic look at Paul McCartney’s omnipresent and divisive earworm. I don’t generally like Christmas music, but this song is so goofy and odd that I can’t help but find it endearing. The main problem with it is that the tempo is too fast and the feel is too …
Tag Archives: Stevie Wonder
Jason Yust on the racist history of tonality
I haven’t done any culture war material lately, but Jason Yust recently published an article in the Journal of Music Theory with the title “Tonality and Racism“, and I couldn’t not respond. The arguments in the paper are relevant to my teaching life in NYU’s new and wonderful pop theory and aural skills sequence. These classes …
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Identifying suspensions
Today in pop aural skills, we identified suspensions, that is, melodies that place unexpected non-chord tones on strong beats, before resolving to the expected chord tones. These are melodic suspensions, which are not the same thing as sus4 or sus2 chords, but they are related concepts. Western European classical theory has a lot of clear …
Identifying augmented chords
Augmented chords don’t come up much, but they are on the aural skills syllabus, and they have that specific quality that no other harmony can create. Their uncanny zero-gravity quality is the result of their symmetry. Any note in an augmented triad could function as its root. When you write the augmented chords on the …
Identifying tritone substitutions
This is one of those jazz theory ideas that gets explained endlessly online and in texts and is relatively rare in a typical American’s listening experience. But when you do hear it, it does sound cool. I made an interactive explainer, because as with so many jazz theory concepts, tritone substitutions make more sense when …
Identifying pentatonic scales
It’s pentatonic scales week in aural skills class. This would seem to be the easiest thing on the syllabus, but I discovered while doing listening exercises with the students that even these simple scales have their subtleties. Major Pentatonic You can understand the C major pentatonic scale to be the C major scale without scale …
Identifying added-note chords
My NYU aural skills students are working on chord identification. My last post talked about seventh chords; this post is about chords with more notes in them, or at least, different notes. My theory colleagues call them added-note chords. They are more commonly called jazz chords, though many of the examples I list below are …
Rap before hip-hop
For the hip-hop unit in the Song Factory class at the New School, I want to start things off by clarifying the difference between hip-hop and rap. People use these terms interchangeably, but they really describe two different things: hip-hop is a culture, and rap is a musical expression of that culture. But rapping is …
Don’t You Worry ‘Bout A Thing
Every ten years it occurs to me to learn this tune, and then I come up against the fact that it’s in E-flat minor, I get discouraged, and I give up. Well, not this time! This time I decided to take the coward’s way out: I put the tune in Ableton and transposed it up …
She’s Leaving Home
My kids are totally obsessed with the Beatles right now, much to my ongoing delight, so I’m learning how to play more of their songs. Brad Mehldau motivated me to take a look at “She’s Leaving Home”, which I learned about a thousand years ago on guitar and haven’t thought about in a while. It’s …