It’s Halloween, and that means that everyone is scrambling to find seasonal music beyond Michael Jackson’s “Thriller.” In the pharmacy this morning, I heard “Ghostbusters” by Ray Parker Jr, and remembered that it’s an absolute banger. This is one of a long list of songs that I loved as a kid, became embarrassed by as a …
Tag Archives: Stevie Wonder
Take Me To The River
See the complete Talking Heads series The only cover that Talking Heads ever recorded was a tune co-written by Al Green and his guitarist Teenie Hodges. Like all Al Green classics, this was produced by the great Willie Mitchell. Teenie’s brothers Charles and Leroy play organ and bass respectively, the drums are by Howard Grimes, …
The whole tone scale
Like diminished chords, the whole tone scale is not very widely used, but when you need that specific vibe, nothing else will do. Whole tone scales are easy to understand, because there are only two of them total. Whichever key you are in, there is a whole tone scale that includes the tonic, and another …
Living for the City
This Stevie Wonder classic is an iconic blues-based groove combined with some very non-blues-based harmony. Stevie sang all the parts and played all the instruments, including the sumptuous analog synth sounds designed with Malcolm Cecil and Robert Margouleff. Stevie’s brother Calvin Hardaway is the main character in the spoken interlude. Ira Tucker Jr of the …
Groove harmony
See also a study of groove melody Chords work differently in grooves than they do in songs and linear compositions. In his book Everyday Tonality, Philip Tagg proposes that chords in loops are mainly there to signpost locations in the meter. By his theory, the metrical location of a chord matters more than its harmonic …
John Oswald said he likes my Stevie Wonder/Laurie Anderson mashup
I got an unexpected email today from the legendary composer/remixer John Oswald, whose Plunderphonics project was a major inspiration for me. (For example, check out “Dab,” “Power,” and the terrifying “Pretender.”) He told me that in the course of researching the connection between the second movement of Dvořák’s Piano Quintet No. 2 and the haunting …
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Chopin’s “Raindrop” Prelude
Let’s get the name out of the way first. Chopin didn’t title the piece “Raindrop,” nor did he give catchy nicknames to any of his other preludes. The names were given later by a fan named Hans von Bülow. Chopin’s actual title of this piece is “12 Préludes, Opus 28 Number 15 in D-Flat Major.” …
Jacob Collier’s four magical chords
Jacob Collier is the internet’s favorite musical virtuoso. Here’s his mostly acapella arrangement of a Christmas carol called “In The Bleak Midwinter.” The most remarkable part of this arrangement comes between the third and fourth verses, when Collier modulates from the key of E to the key of G half-sharp. That’s the key which is …
Philip Tagg’s Everyday Tonality
I complain a lot on this blog about traditional approaches to teaching music theory. Fortunately, there are some alternatives out there. One such is Everyday Tonality by Philip Tagg. Don’t be put off by the DIY look of the web site. The book is the single best resource I know of for how harmony works across …
Harmonica guide
I started learning harmonica in high school. It was the first instrument I learned voluntarily, not counting my ineffectual middle school attempt at classical cello. As a teenager, my obsession with the Grateful Dead was at its high water mark. The Dead’s first frontman, Ron “Pigpen” McKernan, was a more than respectable blues harmonica player. …