I just completed a batch of new music, which was improvised freely in the studio and then later shaped into structured tracks. https://soundcloud.com/ethanhein/sets/tabla-breakbeat-science I thought it would be helpful to document the process behind this music, for a couple of reasons. First of all, I expect to be teaching this kind of production a lot …
Continue reading “Composing improvisationally with Ableton Live”
This post was originally written for the Play With Your Music blog. Also be sure to check out our interview with engineer Kevin Killen and drummer Jerry Marotta. Peter Gabriel’s songwriting and recording process in the early 1980s was unusual for its technological sophistication, playfulness and reliance on improvisation. While Peter was considered avant-garde back …
This is the third in a series of posts documenting the development of Play With Your Music, a music production MOOC jointly presented by P2PU, NYU and MIT. See also the first and second posts. So, you’ve learned how to listen closely and analytically. The next step is to get your hands on some multitrack …
Computers have revolutionized the composition, production and recording of music. However, they have not yet revolutionized music education. While a great deal of educational software exists, it mostly follows traditional teaching paradigms, offering ear training, flash cards and the like. Meanwhile, nearly all popular music is produced in part or in whole with software, yet …
Continue reading “User Interface Design for Music Learning Software”
For my final project in Advanced Audio Production at NYU, I created a 5.1 surround remix of the Beatles’ “Here Comes The Sun.” You can download it here. If you don’t have surround playback, you can listen to the stereo version: I was motivated to create a surround remix of a Beatles song by hearing …
Continue reading “Remixing “Here Comes The Sun” in 5.1 Surround”
In this post, I compare and contrast the soundscapes of two iconic sample-based tracks:Â “Regiment” by David Byrne and Brian Eno, and “Little Fluffy Clouds” by The Orb. Recorded ten years apart using very different technology, these two tracks nevertheless share a similar structure: dance grooves at medium-slow tempos centered around percussion and bass, overlaid …
Continue reading “The Schizophonia of David Byrne, Brian Eno, and The Orb”
As I contemplate my masters thesis, I’m looking for good examples of beginner-centric musical user interface design. Propellerhead’s new Figure app has been a source of inspiration for me. It’s mostly wonderful, and even its design flaws are instructive. I have a long history with Propellerhead’s software, beginning with Rebirth in 1998. I’ve made a …
Continue reading “User interface case study: Propellerheads Figure”
Let Us In [audio:http://ethanhein.com/music/revival_revival_let_us_in.mp3] Revival Revival vs Nirvana mp3 download, ipod format download Vocals and guitar by Barbara. Additional guitar, controller synth, 808 programming and sampling by me. Contains some salty language. This continues our recent push into mostly original rock material about Barbara’s complex romantic life. The sample comes from one of my favorite …
One of the funkiest albums ever recorded is The Clones Of Dr Funkenstein by Parliament. Even if you never listen to it, you’ll get funkier just by looking at the cover. There’s much to love about this album beyond its joyously ridiculous science fiction theme. There are the deft, bebop-flavored horn charts by James Brown’s …
The vast majority of music that I hear is recorded, and if you’re reading this the same is probably true of you. Most people don’t have a clear idea what the recording process is like, especially using computers. Here are my adventures in recording. I grew up in the eighties. Cassette recorders were just starting …
