There is no required text for this class; all of the readings are online. However, if you are a music education major or you plan to teach music technology, I recommend buying Electronic Music School: a Contemporary Approach to Teaching Musical Creativity by Will Kuhn and myself.
Tag Archives: teaching
Teaching statement
I am finishing my dissertation soon and am applying for full-time academic jobs. Here’s my teaching statement. It’s adapted from the first two chapters of Electronic Music School: a Contemporary Approach to Teaching Musical Creativity. Also see my research statement. I have taught as an adjunct at New York University’s Steinhardt School, The New School’s …
Measurement in games for learning research
Note-taking for Research on Games and Simulations with Jan Plass Kiili, K., &; Lainema, T. (2008). Foundation for Measuring Engagement in Educational Games. J of Interactive Learning Research, 19(3), 469–488. The authors’ purpose here is to assess flow in educational games, to “operationalize the dimensions of the flow experience.” A flow state involves deep concentration, …
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Lifelong general music
I’ve been blessed that both institutions where I teach music technology give me considerable freedom in how I do it. I find the music side to be quite a bit more interesting than the technology side, so I center my classes around creative music-making, and we address technical concepts as we encounter them. I’m learning …
Do you need music theory to create music?
This question gets asked a lot. It’s really four questions: 1) What is music theory? 2) Does music theory really teach you what music is? 3) Does music theory teach you how to create music? And 4) how do you learn music theory? Let’s take these questions one at a time.
First day of music tech class
I recently began my second semester of teaching Music Technology 101 at Montclair State University. In a perfect world, I’d follow Mike Medvinsky’s lead and dive straight into creative music-making on day one. However, there are logistical reasons to save that for day two. Instead, I started the class with a listening party, a kind …
My music education
I’m writing a chapter of the forthcoming Oxford Handbook of Technology and Music Education. Here’s a section of what I wrote, about my own music learning experiences. Most of my music education has happened outside of the classroom. It has come about intentionally, through lessons and disciplined practice, and it has come about unintentionally, through …
Remixing Verdi with Ableton Live
Later this week I’m doing a teaching demo for a music technology professor job. The students are classical music types who don’t have a lot of music tech background, and the task is to blow their minds. I’m told that a lot of them are singers working on Verdi’s Requiem. My plan, then, is to …
Designing music learning experiences with technology
This semester I’m working as a research assistant to Alex Ruthmann at NYU. The job includes helping him with a new joint music education and music technology class, Designing Technologies & Experiences for Music Making, Learning and Engagement. Here’s the bibliography. The central class project is to create a music education technology experience — a lesson …
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Teaching the studio as instrument
Matthew D. Thibeault. Wisdom for Music Education From the Recording Studio. General Music Today, 20 October 2011. Stuart Wise, Janinka Greenwood and Niki Davis. Teachers’ Use of Digital Technology in Secondary Music Education: Illustrations of Changing Classrooms. British Journal of Music Education, Volume 28, Issue 2, July 2011, pp 117 - 134. Digital recording studios …