Motivic development is more of a classical music thing than a rock/pop thing. If you want to hear a motive carried through a series of elaborations and variations, you should look to Beethoven rather than the Beatles. Pop songs are a few riffs, repeated or strung together. But there are some songs out there whose …
Tag Archives: Thelonious Monk
Identifying embellishing tones
We’re getting started on melody in pop aural skills by talking about embellishing tones. The word “embellish” is from the Old French embelliss-, meaning to make something beautiful by ornamenting it. To understand what embellishing tones are, you first need to know about the tones they are embellishing. In Western tonal music and (non-blues-based) Anglo-American …
Identifying phrase structure
It’s easy to understand what a section of a song is: an intro, a verse, a chorus, a bridge. It is less easy to understand phrases, the components of a song section. Usually a song section contains between two and four phrases. But what is a phrase? No one seems totally sure. This is important …
Identifying added-note chords
My NYU aural skills students are working on chord identification. My last post talked about seventh chords; this post is about chords with more notes in them, or at least, different notes. My theory colleagues call them added-note chords. They are more commonly called jazz chords, though many of the examples I list below are …
Bemsha Swing
I have “Bemsha Swing” on the brain for no special reason. It’s one of Thelonious Monk’s most persistent earworms, and every once in a while it wakens from its dormant state to occupy my music circuitry for a week or two or three. When I am jamming on the guitar, my fingers constantly find their …
Where do jazz standards come from?
My Song Factory class is coming up on the Standards and Showtunes unit, covering the Great American Songbook. I mainly relate to these tunes via jazz. In this post, I collect standards of the ones that appear in movie musicals, and I pair each one with a well-known jazz interpretation. (Note that most of these …
Blues harmony primer
For a more detailed and scholarly version of this guide with a bibliography, see my Blues Tonality treatise. See also this post on blues melodies. How do chords and scales work in the blues? Is there a “blues scale”, and if so, what notes does it include? What are blue notes? Why does it sound …
The diminished scale
When I want my music to sound mysterious, the diminished scale is a reliable tool in the harmonic toolkit. It worked for John Coltrane and Thelonious Monk, and it can work for you!
The whole tone scale
Like diminished chords, the whole tone scale is not very widely used, but when you need that specific vibe, nothing else will do. Whole tone scales are easy to understand, because there are only two of them total. Whichever key you are in, there is a whole tone scale that includes the tonic, and another …
The chromatic circle and the circle of fifths
The heart of Western tonal theory is this diagram: It’s called the chromatic circle, and it shows all of the notes you can play with a piano keyboard or guitar fretboard. It is closely related to another extremely important diagram called the circle of fifths: In this post, I explain where these diagrams come from …
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